Long View Studies 3 & 4

August 13, 2009

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These two rather small pieces (tiny enough to fit in a Dime Bag) were created with Antarctic waste management in mind. Read my correspondingly short history of environmental awareness in Antarctica on my Long View project blog hosted by the California Academy of Sciences.

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Both compositions were created in cut paper and graphite on bark paper. Study #3 features added gesso and Study #4 features inclusion in the Giant Robot New York show, partly pictured above. More here and a flickr set here.

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Gail Wight’s SFCB Residency in Progress

July 31, 2009

Our team at the Imprint of the San Francisco Center for the Book is excited to be collaborat-ing with artist-in-residence Gail Wight on her artist’s book edition to be released in December. Restless Dust will be issued as a limited edition of 50 signed and numbered artist books, each housed in a wooden box containing a multi-media installation. The body type is completely set by hand using metal type for letterpress printing. Images carved in linoleum are also printed on a letterpress while other elements are screen printed.

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In the photos above, Gail works up prototypes of the various elements. A pair of paper birds lies on velvet at the base of the housing. The upper half of the housing supports a plexi tray on which a leather-bound ‘field journal’ rests, a book whose removal reveals the birds below and activates their illumination.

Gail’s text invites Charles Darwin’s ghost to sail to San Francisco and wander with her through the greater Bay Area terrain. The focus of the journey is three part: to celebrate the unique species of the San Francisco Bay Area; to look at the ways in which Darwin’s legacy has impacted contemporary Bay Area culture; and to acknowledge the fragile and endangered state of many of our local flora and fauna caused by environmental degradation.

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Gail, introduced here in April, is Associate Professor at Stanford University’s Department of Art & Art History and Director of Graduate Studies in Studio Art and Experimental Media Arts. We’re proud to have her as the fifth artist of our annual artist-in-residence program.

Copies of Restless Dust may be reserved at the pre-publication price of $280 until the evening of the December 4 book launch, after which which they will be available for $350 each. Orders for Gail’s book and other SFCB publications may be placed at our online store or by emailing imprint@sfcb.org. You may also call us at 415.565.0545, or visit the Center in person at 300 De Haro Street, San Francisco; entrance on 16th Street. Hours: Monday-Friday, 10 A.M.-5 P.M.

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Long View Sketchbook Pages 020 and 045

July 24, 2009

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My latest sketchbook entries are created in cloth and thread. They’re inspired by a variety of discarded fabric I retrieved from Antarctica to incorporate into my larger art panels.

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A number of those found fabrics are from decommissioned Jamesway huts. Read all about Jamesways — and what these sketchbook pieces depict — on my Long View project blog.

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Antarctic Sun Interview

June 28, 2009

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Learn more about the Long View Project in my post-Ice Q & A with The Antarctic Sun,
the official online news site for the United States Antarctic Program. The site provides
news articles and features about polar science and life in Antarctica, and is edited by
Peter Rejcek who conducted the interview.

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Long View Study #2

June 27, 2009

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This is the second of a series of small pieces serving as studies for my full-size Long View Project panels to come. It was created with Antarctica’s continuous summer daylight (and
its disorienting effects) in mind.

Like the first study, it was created in cut paper and graphite on paper mounted on a
5″ x 5″ x 1.5″ wood panel.

Follow me on Twitter to be notified of project and blog updates!

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Nigel Poor: The Relative Value of Things

June 3, 2009

In 2007 our crew at the Imprint of the San Francisco Center for the Book had the pleasure
of publishing Nigel Poor’s artist book edition titled The Relative Value of Things. The edition, produced during her SFCB artist residency, now lends its title and concept to a full-scale exhibition at Haines Gallery in downtown San Francisco.

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The show continues Nigel’s investigations into the joys, follies and contradictions of collect-ing, desire and valorization. It features encapsulated hair and lint donated by a multitude of individuals (public participation is often central to Nigel’s projects), color images and letterpress-printed lists documenting personal possessions discarded by the artist over time, and meticulously drawn text that addresses the struggle to find reassurance and meaning amidst life’s mysteries and uncertainties.

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The exhibition also includes a cell phone tour and an interactive website that elaborates on her philosophy of discarded items and invites audience participation.

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This is Nigel’s fourth solo show at Haines Gallery. Her work has been exhibited in various national venues and can be found in the collections of the SFMOMA, the M.H. deYoung Museum, the San Diego Museum of Contemporary Art and the Corcoran Gallery of Art. She has received several nationally recognized awards including an SF Arts Council Grant and a Polaroid Artist Support Grant. She received her BA from Bennington College in Vermont and her MFA from Massachusetts College of Art in Boston, and is currently an associate professor of photography at California State University, Sacramento.

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Congratulations on this fascinating project Nigel. You’re a joy to work with and a wonderful friend.

The Relative Value of Things is on view through August 1. Haines Gallery is at 49 Geary Street, Suite 540, San Francisco CA 94108. Tel. (415) 397-8114. Hours: Tuesday to Friday 10:30 A.M. – 5:30 P.M., Saturday 10:30 A.M. – 5:00 P.M.

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Long View Sketchbook Pages 003 and 006

June 2, 2009

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New sketchbook pages are on the way. In the meanwhile, I’ve determined the size of the hundred base panels and their combined length to make the final Long View artwork.

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See the numbers and photos of work in progress on my Antarctic blog hosted by the California Academy of Sciences.

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Antarctic Artists Make the Scene

June 1, 2009

It was a year ago this month that my fellow ‘08-’09 Antarctic Artist and Writer grantees and I first met. We spent only a day in Denver but our group of eight connected well.

We’ve since kept in touch and followed each others’ projects via email, tweets, project blogs, online social networks, and even meetings in person, since three of us live here in San Francisco.

Cheryl E. Leonard accompanied by Cliff Neighbors and Felix Macnee (out of frame) at the Luggage Store Gallery, San Francisco.

Cheryl E. Leonard accompanied by Cliff Neighbors and Felix Macnee (out of frame) at the Luggage Store Gallery, San Francisco.

I recently got to see Cheryl E. Leonard perform some of her Antarctic works-in-progress at the Luggage Store Gallery. Cheryl is a local composer, improviser and instrument builder who spent January at Palmer Station recording sound and images and collecting natural materials to create her musical compositions with. Her sounds are as unique as the material she uses, which include stones, limpet shells and penguin bones.

Cheryl E. Leonard and Cliff Neighbors.

Cheryl E. Leonard and Cliff Neighbors.

The concert featured Cheryl as a winner of the Sounding Out California award, a state-wide competition presented by NEXMAP, an organization supporting contemporary, experimental art. Congratulations on the honor Cheryl!

Over on the East Coast, grantee Scott Sternbach just concluded his first exhibition of Antarctic photographs at the City University of New York in Long Island City where he directs LaGuardia Community College’s photography department. The show, titled Antarctic Souls, featured his large-scale format black and white portraits and color images taken at Palmer Station and on the United States Antarctic Program’s L.M. Gould Research Vessel.

Photographed by Scott Sternbach on the Antarctic Peninsula.

Photographed by Scott Sternbach on the Antarctic Peninsula.

Nice work, Scott! I love this photo by the way; it so reminds me of that memorable part of Encounters at the End of the World where the debatably crazy penguin wanders off in the wrong direction to its certain demise. I can practically hear Werner Herzog narrating that segment when looking at this picture. And that’s a compliment.

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Long View Study #1

May 30, 2009

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This is a recent study for my ongoing Long View Project. The imagery alludes to science and waste management at Antarctica’s McMurdo Station, described by the iconic pipe and sphere configurations common throughout town.

The piece was created in cut paper and graphite on paper mounted on a 5″ x 5″ x 1.5″ wood panel.

It will be on view and available at Southern Exposure’s Annual Fundraiser and Art Auction this Saturday evening, June 6 at Electric Works, San Francisco. See you there!

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Leslie Shows Printmaking Event Benefits SFAC Gallery

May 18, 2009

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On Saturday Leslie Shows offered a well-attended printmaking demonstration at the
ON YOUR MARK fundraiser benefiting the San Francisco Arts Commission Gallery’s programming fund. It was an opportunity to see one of my favorite local artists at work
while supporting the SF arts community.

I’ve been a fan of Leslie’s since catching her stunning CCA MFA show in ‘06, followed by
her SFMOMA SECA award, last year’s BAN5 exhibition and ongoing Jack Hanley Gallery representation.

For this project, Leslie layered digitally-printed collage elements with hand-inked plates run through an etching press to create a characteristically textured, energetic composition. The prints are issued in a limited edition of 20 copies and made available through SFAC Gallery and Electric Works where the event took place.

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